This is a behind the scene photo of the first scene to be shot in The Obscured Histories and Silent Longings of Daguluan's Children in Matanao, Davao del Sur, in 2009. We shot the film without a script. We went on location with a big idea, and would just leave it to geography and atmosphere to bring out the story. This scene, of women talking about their desire to seek greener pasture as overseas Filipino workers in Kuwait, was decided because the artesian well, locally known as poso, amidst the oversized biga leaves looked 'nice' for a rural conversation.
But what became important about this day is that it set the tradition for my succeeding films, that is, lunch on the first day of all my film shoots must have on the menu sinful ginataang monggo (mungbean stew in coconut) and grilled tilapia and pirit (baby tuna). This was suggested by my assistant director Yam Palma which myself and production manager Elreen Supetran Bendisula agreed to. Dutch scientist and writer Louise Fresco wrote, "Food, in the end, in our own tradition, is something holy. It's not about nutrients and calories. It's about sharing. It's about honesty. It's about identity."
During the shoot of Limbunan, the tradition of having grilled or deep fried catfish on the first supper, and crabs on either lunch of the second or third day were added, not to mention overflowing Coca Cola round the clock because that's the preferred 'energy drink' of my cinematographer Coicoi Nacario and tech supervisor John J. Barredo. Red Horse beer being part of tradition is totally predictable. Peanuts on the other hand are not allowed. And even before the shoot commences, I would ask Elreen, a Catholic, to offer flowers and eggs in the Carmelite Church and pray for good weather and no rain.